February 23, 2023 - Minnesota Public Radio - The Broadcast Media Ops Tour
January 30, 2023 - Mic Cuppers — Dealing With It!
November 17, 2022 - What is Bandwidth and Why Do I Care?
October 12, 2022 - The Physics of Microphones: How They Work and How to Apply Them
September 3, 2022 - A Guided Tour of the New Home of the Crocodile Cafe
August 20, 2022 - Women Who Worked at Woodstock 1969... In their own words!
May 6, 2022 - Reality is Boring: Expressing Feelings and Movements through Impressionistic Foley
April 20, 2022 - Home Studio Construction
March 3, 2022 - How Seattle Pacific University Creates Streamable Online Concert Archives
February 9, 2022 - An Introduction to Reaper
January 25, 2022 - Masking — What is it, and when does it happen?
December 7, 2021 - Sylvia Massy's Mind Blowing Microphone Museum — Part 2!
October 18, 2021 - Analog Tape Playback without Wow and Flutter
September 16, 2021 - 1st Annual PNW Audio Trivia Bonanza
June 16, 2021 - Immersion Networks Mix Cubed: a Cloud Based Spatial Audio Platform for Creators
May 17, 2021 - SMAART: History, Applications, Case Studies and the Role of Curiosity in Audio
April 7, 2021 - Recording Songs with Caspar Babypants
March 10, 2021 - Diversity and Inclusion for the AES PNW Section
February 23, 2021 - Motown: In the Studio Where it Happened!
January 28, 2021 - Auditory Mechanisms for Spatial Hearing
November 11, 2020 - Mercury Living Presence - A Technical History
October 20, 2020 - Metadata - Your path to Proper Credits and Payment
August 25, 2020 - Sylvia Massy's Mind Blowing Microphone Museum
June 17, 2020 - Tools & Techniques for Streaming Audio
April 28, 2020 - Mixing On Glass: Tablet Control of Digital Mixers
February 26, 2020 - Creating A New Loudspeaker Design
January 8, 2020 - Old Problems, New Solutions: Architectural Acoustics in Flux
November 20, 2019 - How To Record an Abrams Tank
October 29, 2019 - Acoustics: The Black Magic of Architecture
September 25, 2019 - The Current State of Production Sound Recording
July 9, 2019 - An Unhinged Evening with Sylvia Massy
June 12, 2019 - Line Mixing for Musical Theatre
May 11, 2019 - 7th Annual DigiPen Audio Symposium
March 27, 2019 - The Music of Destiny
February 20, 2019 - Video Interview with Bob Ezrin
December 1, 2018 - Pacific Northwest Audio Society Annual Winter Social
November 7, 2018 - Jack Endino Guitar Recording Workshop
October 3, 2018 - Issues in Digital Production That Remain a Problem
September 27, 2018 - New Surround and Immersive Recordings
June 20, 2018 - An Evening with Ron Jones
March 20, 2018 - Seeing Voices: Using Light to Restore and Preserve Early Recorded Sound
February 21, 2018 - Roland Cloud, Gig Performer, plus The Continuing Evolution of the Virtual Studio
January 30, 2018 - To Window, or Not To Window...
December 5, 2017 - Distributed Mode and Balanced Mode Transducers
November 15, 2017 - Ambisonics and the Ambisonic Toolkit
October 25, 2017 - The Brain-Music Interface: The Encephalophone
September 27, 2017 - A Pictorial History of the Columbia Records 30th Street Studio
June 21, 2017 - 3D Sound for Video Games
May 30, 2017 - The Harry Partch Instrumentarium
April 12, 2017 - Theatrical Sound Design: Live, Recorded Playback and Generative Methods
March 20, 2017 - Impedance... Because Resistance is Futile!
February 8, 2017 - The Science of Turntablism
January 25, 2017 - I Have to Mix It in HERE??? | Affordable Acoustical Measurements
December 14, 2016 - What's All This Dante Stuff About Anyway?
or
Audio Networking Using Dante
October 12, 2016 - The Evolution of a Home Loudspeaker Design
September 14, 2016 - Modern Medical Ultrasound Technology
May 11, 2016 - Spatial Audio and its Applications
April 18, 2016 - Radio Frequency Coordination for Live Events
March 30, 2016 - The Decibel, Revisited
February 24, 2016 - Reference? What Are You Referring To?
January 9, 2016 - Sampling Rate Conversion - A Saturday afternoon discussion
November 11, 2015 - The State of Audio Education in the Pacific Northwest
October 8, 2015 - An Evening of Reverberation
September 17, 2015 - Rane's HAL Drag-n-Drop DSP Audio Architecture
May 26, 2015 - History, Technical Aspects, & the Care & Feeding of Ribbon Microphones
March 25, 2015 - Audio Band Measurements
February 12, 2015 - More Topics in Loudness - ?Microdynamics?
January 8, 2015 - The Forza Motorsport 5 Original Soundtrack - An Insider's View
June 18, 2014 - Cardioid Subwoofers: Once A Miracle, Now Easily Done
May 29, 2014 - Noise Regulations: Is it Noise or Is It Music?
April 24, 2014 - The Ribbon Microphone Resurgence and London Bridge Studios Tour
March 27, 2014 - Analog Tape Machines - Basics of Alignment and Calibration
November 6, 2013 - Weaponized Audio for Enormous Venues OR Can We Outshout the Crowd?
October 24, 2013 - State of the Art in Modular Synthesis
May 16, 2013 - Transparent One and Audio Entrepreneurship
April 17, 2013 - Audio, Radio, Acoustics and Signal Processing - the Way Forward
March 14, 2013 - The State of the Mostly Modular Art of Synthesis
February 21, 2013 - Power Tools for Pro Tools 10
January 8, 2013 - Vroom - The Interesting World of Racing Game Sound Design
November 20, 2012 - A Soldering Workshop aka Soldering 101
October 11, 2012 - Careers in Audio - a Panel Discussion
May 17, 2012 - Whitespaces and RF Spectrum News
April 17, 2012 - Audio Technology-from a legal perspective
March 29, 2012 - Desktop Mastering
February 28, 2012 - Game Audio Programming for Android - FMOD vs. Java
December 13, 2011 - New Requirements in the NEC and How They Affect Live Sound Systems
November 9, 2011 - Lies, Damned Lies, and Specifications
October 11, 2011 - Wifi/Whitespace/Wireless Mikes - Can they coexist?
October 4, 2011 - Bill Putnam — His Work and His Legacy
September 22, 2011 - Digital Audio Transport in an Ethernet World
August 20, 2011 - Field Trip to NWAA Labs acoustic test facility
June 27, 2011 - Inside a Cellular Telephone
May 19, 2011 - Audacity, A Digital Audio Workstation
March 11, 2011 - Cables: Fact, Fiction and Fraud - The Horrible Truth About Wire & Cable
January 26, 2011 - Rewriting a Digital Audio Workstation
December 1, 2010 - Sound Capture Applications in Entertainment and Gaming
November 21, 2010 - An Afternoon with.... Wes Dooley, AEA
November 8, 2010 - The Acoustic Centre
October 14, 2010 - A Personal History of Perceptual Audio Coding
September 9, 2010 - The History and Future of Surround Sound
June 17, 2010 - An Overview of Film Scoring in Los Angeles
May 8, 2010 - Why You Hear What You Hear
May 1, 2010 - Let's Listen to a Large Line Array
March 31, 2010 - The Evolution of Analog Guitar Effects
February 17, 2010 - New Wave Modular Synthesizers: Meet the Seattle Area Modular Manufacturers
November 17, 2009 - How Do They Make THAT Chip?
October 27, 2009 - A Memoir of Classic Recordings with Frank Laico
September 30, 2009 - Personal Listening Environments - Headphones/Headsets/Earphones
August 8, 2009 - A Cardioid Subwoofer Array - Theory vs. Practice
June 23, 2009 - Aspects of Hearing: Ears, Conservation, and Hearing Aids
May 26, 2009 - Evolution of the Universal Audio Architecture in Windows 7
April 28, 2009 - Anatomy of a Session with Frank Laico
March 25, 2009 - Home Theatre vs. Cinema Audio Production, the Technical Aspects
February 25, 2009 - Current Legal Events and The Future of Our Music Industry
January 27, 2009 - High Quality Termination and Project Management Fundamentals for Studio Design
December 16, 2008 - Anatomy of a Session with Frank Laico
November 18, 2008 - Mastering for the Real World: WaMu Family Fourth Audio
October 20, 2008 - How Does Your Portable Music Player Work?
September 24, 2008 - Inside a Remote Truck
June 9, 2008 - An Evening with Frank Laico
May 21, 2008 - Architectural Acoustics 101 For Audio Nerds
April 22, 2008 - Adventures in Live Surround Performance
March 11, 2008 - Copyright Law and Music/Recording Issues
February 27, 2008 - "Using Arrays of Loudspeakers for Focusing or Diffusing Sound"
January 23, 2008 - Acoustic and Psychoacoustic Issues in Room Correction
November 27, 2007 - An Evening with Roy DuNann
October 16, 2007 - Whitespace, Wireless Microphones, Digital TV - The Race for Space